Audio engineered to the room — not to the spec sheet.

An Athens consultancy of senior systems engineers, FOH operators, and broadcast technicians. Working since 2011 across festivals, theatres, and studios in Greece, Cyprus, and the Mediterranean.

Six service tracks. One senior engineer per project.

Heading

"Six service tracks. One senior engineer per project."

Subheading

"We do not subcontract leads. The engineer who scopes your project is the engineer on site."

Body

"Every project at WaveSonic is led end-to-end by one of our six senior engineers. The lead writes the scope, designs the system, signs the procurement, runs measurement, and stands at FOH or in the control room on opening night. Junior engineers and technicians round out the crew, but the responsibility never moves."

Live Event Systems Design

Coverage modelling, prediction, and measurement for events from 200 to 50,000 capacity. → /services/live-design/

Touring FOH & Monitor Engineering

Senior engineers for European theatre and festival tours, 2 to 12 weeks. → /services/touring/

Broadcast Studio Commissioning

Greenfield and refurbishment commissioning to EBU R128, Dolby Atmos, immersive. → /services/broadcast/

Founded in 2011 by a touring systems engineer and a broadcast engineer who could not stop arguing about latency.

Selected work

Heading

"Selected work"

Subheading

"Twelve projects from 220+ in our archive."

Body

"We curate the public portfolio carefully — many of our broadcast and corporate clients require confidentiality, and our work in heritage venues is often invisible by design. The projects below are the ones we are allowed to talk about and the ones we choose to."

Epidaurus Festival 2015–2024

Distributed point-source design for the ancient theatre, 6 dB STI improvement.

ERT Radio 2 Main Control

First Greek facility certified EBU R128 with immersive monitoring, 2023.

Onassis Stegi Black Box

Permanent install and tuning, 2017, retuned 2022 after seating revision.

Fourteen years, in numbers.

47
festivals systems-designed
312
theatre runs FOH-engineered
18
broadcast studios commissioned
220+
venues measured and on file

What our clients have written about us.

“Christos has been our main-stage systems lead since 2018. The 2023 ±2.8 dB coverage measurement on the field is, to my knowledge, the tightest ever published by a Greek festival. He runs a calm load-in, calls every level himself, and finishes on time.”
Maria Theodoropoulou — Artistic Director
Onassis Stegi
“When we revised the seating bowl in the black box in 2022, WaveSonic retuned the permanent install in a single day and produced a thirty-page report comparing pre and post traces. It is the only acoustic document we own that the resident directors actually read.”
Andreas Solomonides — Head of Sound
Cyprus Broadcasting Corporation (CyBC)

Open papers from our measurement archive.

Heading

"Open papers from our measurement archive."

Subheading

"We publish what we are allowed to. The library has grown to 47 papers and 220 measurement traces."

Body

"Most of our work ends up in private engineering reports. The studies we are allowed to release — and the templates we wish more venues used — are open for download. No paywall. No registration. We ask only that you cite us."

CTA

"Browse the library" → /resources/

Field Notes from the journal.

Heading

"Field Notes from the journal."

Field Notes

*"Measuring Epidaurus in May Rain: How Humidity Skewed Our 2024 Reference Trace"* — 7 May 2026, by Marina Kostopoulou. A practical note on environmental compensation in heritage measurement.

Measurement Studies

*"The 18-Microphone Grid: Why We Stopped Trusting Single-Position SPL Reports at FOH"* — 22 April 2026, by Christos Antonakos.

Industry Commentary

*"R128 Is Not a Mastering Target: Notes from Six Greek Broadcaster Audits"* — 2 April 2026, by Anouk Verheij.

CTA

"Read the journal" → /journal/

Field Notes — quarterly, technical, low volume.

One email every three months. Two papers, one measurement study, one job board if we are hiring. We have never sent more than four emails a year and we never will.